Full Version: Acrylic and Glass Samples

From: Stunt Engraver (DGL) [#9]
 8 Feb 2007
To: Mike (MIKEN) [#8] 8 Feb 2007

Mike,

The good news is, the price of printers has dropped considerably. :-)

The bad news is, that didn't happen before you bought the Panasonic. :'-(

From: Harvey only (HARVEY-ONLY) [#10]
 8 Feb 2007
To: Mike (MIKEN) [#8] 8 Feb 2007

When I run out of toner in my Konica/,Minolta I will probably buy an Oki. At about $300 it is sort of close to new toner carts.

I trashed my HP monochrome laser printer because it needed a new fuser. The Sharp was far less than the fuser alone. It also is an awesome scanner, and can copy 30 pages automatically.

So far I have run through over a case pf paper with one toner refill and it is still chugging away.


From: Stunt Engraver (DGL) [#11]
 8 Feb 2007
To: Harvey only (HARVEY-ONLY) [#10] 8 Feb 2007

Harvey,

A friend of mine needs a drum kit for his HP 4500.

I was always under the impression that it was a costly component.

That was, until he showed me that you can buy them on ebay, brand new, in the box, for about $45.

Could be the same scenario for an older fuser.

From: Mike (MIKEN) [#12]
 8 Feb 2007
To: Harvey only (HARVEY-ONLY) [#11] 8 Feb 2007

I sometimes have a hard time deciding whether I am the beneficiary or the victim of new technology.

EDITED: 8 Feb 2007 by MIKEN


From: Engravin' Dave (DATAKES) [#13]
 9 Feb 2007
To: Mike (MIKEN) [#12] 9 Feb 2007

quote:
I sometimes have a hard time deciding whether I am the beneficiary or the victim of new technology.


Your bottom line will tell you that loud and clear. :-)

From: AL (SUBLIAL) [#14]
 10 Feb 2007
To: ALL

In reading these posts I feel it to be necessary that the main outcome of the laser transfer is in the toner properties. The paper is either a transporter of the toner or it is a carrier with a coating.

OEM toners were not designed or enginerred for transferring onto other substrates but to be printed onto paper. There are about 8 ingredients that go into making up the toner. If you are making a toner for transferring with heat onto various substrates then you will use different ingredients to just print onto paper.

I did printing for the apparel industry using the CLC 500,s when they first came onto the market for $40,000.00 each.
I tried other copiers from various manufactures using the same paper and pressed them to see which copier gave me the best results for wash performance and color management. I was amazed in the difference of the wash performance between these manufactures copiers. That is when I knew the main difference was in the toners and not the paper.

All of these printers are good printers for the purpose they were intended for but when you change the application as much as heat transferring then you have a totally different printer.

If you have a special ink or toner developed for a spscific printer to do heat transfers then you will have a more successful application with that printer.

Is there anyone here who can remember a color copier called the color one made by a french company that also made the Kis 1 hour photo processor?

That copier was a chemical photo type copier and it made beautiful color transparencies. We use to laminate these onto metal, glass, and acrylic in full color. This copier goes back about 33 years and look where we are today with transferring color onto these same substrates.

I am sorry for making such a large post. just wanted to share some of mt experiences and thoughts with you all.
AL La costa
www.atttransfer.com
1-866-900-2830 toll free


From: Stunt Engraver (DGL) [#15]
 10 Feb 2007
To: AL (SUBLIAL) [#14] 10 Feb 2007

quote:
The paper is either a transporter of the toner or it is a carrier with a coating.


Al,

In the transfer of toner to various substrates, (i.e. glass, acrylic, wood, metal) is there more than one kind of paper used?

I believe there are. One for soft goods (fabric) and one for hard goods (acrylic,metal).

A carrier with a coating, is what I assume is being used for tranfer of toner to acrylic and glass.

I say that, because some pieces of acrylic I've seen, show (very faintly) a minute dot pattern, in areas outside of the actual image area.

It would seem that a paper which acted as a transfer of toner as opposed to a carrier with a coating wouldn't show those marks and would be preferrable.

EDITED: 10 Feb 2007 by DGL


From: AL (SUBLIAL) [#16]
 10 Feb 2007
To: Stunt Engraver (DGL) [#15] 10 Feb 2007

David, On soft goods there is normally a coating on the paper to transfer to 50/50 and 100% cotton. We use to make a coating to spray on the shirt or transfer and a release paper to just release the coatings to it. Had a very soft hand and no staining outside of the print area.

The hard goods paper doesn,t have any coating on it nor does the paper for white toner to dark apparel.

The splatter affect you see outside of the print area of a print is usually 2 things. Some of the newer printers has some backgrounding. It is mostly caused by the LED or laser seeing the coating on the paper. It won,t do that with bond paper.
The other cause is the older sub. printers such as the HP,s have a ironoxides in it and that causes the problem.

We found a paper that eliminates backgrounding. It is glossy so go figure that one out.

Wood can be sublimated onto without a carrier or with and it depends on the look you want to achieve or how easy you want the job to go. The easier method is with a paper coating.

AL La costa
www.atttransfer.com
1-866-900-2830


From: Stunt Engraver (DGL) [#17]
 10 Feb 2007
To: AL (SUBLIAL) [#16] 10 Feb 2007

Thank you Al.

Very informative.

From: Dave Jones (DAVERJ) [#18]
 10 Feb 2007
To: AL (SUBLIAL) [#16] 10 Feb 2007

Is there a brand (and/or specific model) of laser printer that you feel gives a noticeably more durable result on hard goods or soft goods when doing OEM toner transfers?

From: Doug (JDOUG5170) [#19]
 10 Feb 2007
To: Stunt Engraver (DGL) [#1] 10 Feb 2007

David...were Al's samples of OEM laser as you stated or of sublimation toner?

If sublimation toner, I just don't get it. One still has to use coated substrate, buy special sublimation toner and the results are no better than the much less expensive oem laser process using uncoated substrate...just don't get it!

Doug


From: Doug (JDOUG5170) [#20]
 10 Feb 2007
To: Stunt Engraver (DGL) [#7] 10 Feb 2007

David...not all tiles need be post baked in the oem laser transfer process...just those that have been glazed and fired. I use bisque tile and find that I do not have to post bake.

Doug

EDITED: 10 Feb 2007 by JDOUG5170


From: AL (SUBLIAL) [#21]
 10 Feb 2007
To: Doug (JDOUG5170) [#19] 10 Feb 2007

Doug, The samples were made with sublimation and white toner and transferred to UNCOATED glass and acrylic.
AL La Costa
www.atttransfer.com
1-866-900-2830


From: AL (SUBLIAL) [#22]
 10 Feb 2007
To: Dave Jones (DAVERJ) [#18] 10 Feb 2007

Dave, I am not familiar with the OEM transfer process. I am familiar with the sublimation laser transfer.
AL La Costa
www.atttransfer.com
1-866-900-2830


From: Doug (JDOUG5170) [#23]
 10 Feb 2007
To: AL (SUBLIAL) [#21] 10 Feb 2007

OK Al, then the next question is why would one want to use a higher cost sublimation toner, and white coating when not needed? Just because they have it? Or, better yet....it helps your sales (devil)

Doug


From: Stunt Engraver (DGL) [#24]
 10 Feb 2007
To: Doug (JDOUG5170) [#23] 10 Feb 2007

Doug,

One reason for Al's using sublimation toner may be that a white toner isn't available in OEM toner.

I don't know. That's my guess.

Thanks for the clarification on the post-bake issue with tiles, in stating that bisque tiles don't require post-baking.

EDITED: 10 Feb 2007 by DGL


From: AL (SUBLIAL) [#25]
 10 Feb 2007
To: Doug (JDOUG5170) [#23] 10 Feb 2007

Doug, It is on uncoated glass and acrylic with a white opaque backing on the print area. The OEM toner isn,t less expensive per print then laser sublimation.
David Requested some samples from me and I sent them to him.
This thread isn,t for sales but should be educational. It is as educational to me as to the members to know what products like glass and acrylics can be embellished in color by different processes.
I look forward to see the different processes at the ARA show in Vegas.
AL La Costa
www.atttransfer.com
1-866-900-2830


From: Stunt Engraver (DGL) [#26]
 10 Feb 2007
To: AL (SUBLIAL) [#25] 10 Feb 2007

Al,

When you say:

quote:
a white opaque backing on the print area.


Is that referring to a white toner backing, or a piece of white vinyl backing applied separately?

From: AL (SUBLIAL) [#27]
 10 Feb 2007
To: Stunt Engraver (DGL) [#26] 10 Feb 2007

Dave, It is a white opaque toner backing. It is all transferred as one transfer.
AL La Costa
www.atttransfer.com
1-866-900-2830


From: Mick [#28]
 10 Feb 2007
To: AL (SUBLIAL) [#27] 11 Feb 2007

What happens if you make a transfer with your white toner followed by the colored OEM toners rather than sublimation toners?

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